The collection

Do you collect anything? ARKEN collects art — more specifically contemporary art. Art created in our own time. Art that promotes conversations about life. Art that surprises you, moves you and opens up new worlds. We collect the best Danish and international contemporary art to make it part of our shared cultural heritage, also for future generations.

The collection is a kaleidoscope of artistic expressions and media. If you want to stand under a luminous rainbow, say hello to a flock of horseshoe crabs in the beach park, or explore the worst traumas and conflicts of our time through the beautiful wings of a butterfly, you've come to the right place.

With our permanent collection we also want to shine a spotlight on ethnic diversity and gender representation. Most museum collections have a historical bias when it comes to diversity and gender representation. And this includes ARKEN. However, we are doing our very best to ensure that our collection reflects the society we live in. We're not quite there yet, but we're getting close.

You can always experience parts of our you visit ARKEN.

Anselm Reyle, Carriage Wheels, 2009.
Anselm Reyle, Carriage Wheels, 2009.

Anselm Reyle

Debitis esse nihil porro reprehenderit voluptatem con

An old wagon wheel on the wall lit up in gorgeous colours. Reflective metal foil behind coloured plexiglass. Leaping dolphins and colours in a controlled flow across the canvas. Anselm Reyle's paintings and sculptures are dazzlingly beautiful or shameless clichés, depending on who's looking. The large formats, the perfect workmanship and the seductive colours and materials raise questions such as: Can cheap scrap become precious art? And do we prefer to be pandered to or provoked by the art we experience?

Grayson Perry, the Walthamstow wallpaper, 2009. Detail
Grayson Perry, the Walthamstow wallpaper, 2009. Detail

Grayson Perry

The Walthamstow Tapestry, 2009

Life is a journey from birth to death. Each passenger travels with his or her own suitcase full of cultural heirlooms, consumption habits and human experiences. If you had to draw your life as a journey, what and who would be drawn on your map? What has shaped you into who you are today? In this tapestry, the little schoolgirl with plaits and a Christ-like doll, the young man, the Madonna with the Chanel bag - not the baby Jesus - and the aging clerk with the briefcase appear as images of the various stages of life. But they are also people like you and me, dressed in and surrounded by things, symbols and trademarks that speak about gender and identity. Only the newborn and the dead are naked.

Candice Breitz, Stills from Love Story, 2016. With Julianne Moore and Alec Baldwin. Interviewed: Sarah Ezzat Mardini. Courtesy Goodman Gallery, Kaufmann Repetto and KOW
Candice Breitz, Stills from Love Story, 2016. With Julianne Moore and Alec Baldwin. Interviewed: Sarah Ezzat Mardini. Courtesy Goodman Gallery, Kaufmann Repetto and KOW

Candice Breitz

Candice Breitz, Love Story, 2016 (uddrag). Courtesy Goodman Gallery (Johannesburg), Kaufmann Repetto (Milan) og KOW (Berlin)

Love Story, a video installation by Candice Breitz, examines how identification and empathy are produced. The work is based on the personal narratives of six people about fleeing their country due to various oppressive conditions: Sarah Ezzat Mardini, who fled war-torn Syria; José Maria João, a former child soldier from Angola; Mamy Maloba Langa, a survivor of rape from the Democratic Republic of Congo; Shabeena Saveri, an Indian trans person and activist; Luis Nava Molero, a political dissident from Venezuela; and Farah Abdi Mohamed, a young atheist from Somalia. The work provides insight into the global scale of the refugee crisis. It is based on extensive video interviews with the six people recorded in the cities where they are seeking or have been granted asylum (two interviews took place in Berlin, two in New York and two in Cape Town). Candice Breitz's ambitious video installation 'Love Story' was a highlight at the Biennale Arte in Venice in 2017, and thanks to generous support from the New Carlsberg Foundation, the work is now part of ARKEN's collection.

Tove Storch, Untitled, 2020
Tove Storch, Untitled, 2020

Tove Storch

Untitled, 2020

Forget everything you know about the world for a moment and pay attention to what you're sensing right now. Is the temperature hot or cold? Are your clothes soft? Heavy or lightweight? Do you sense the heat from your computer or the smooth surface of your smartphone screen? The body's senses play a crucial role in how we experience the world around us — and the sensual body is central to Tove Storch's work. Storch's Untitled consists of countless layers of delicate silk in soft hues. The silk is pulled tight around an aluminum frame in a quadratic shape and flows like a waterfall of soft folds stretching across the floor. With this work, Storch invites you to let your mind go and instead allow your eyes to wander over the sculpture and 'feel' it. Can you sense the wrinkled textile surface and the cool metal?

Lea Porsager, Space-Time Foam (detail), 2016
Lea Porsager, Space-Time Foam (detail), 2016

Lea Porsager

Space-Time Foam, 2016

In Space-Time Foam (2016), 56 purple foam mattresses are stacked like soft tongues in a huge pile. On top lie various silvery objects. Some are reminiscent of giant sperm or earpieces. Next to the pile lies a stack of posters telling a cryptic story about gender, body, sex and physique. Together, Lea Porsager's video and installation form a fantasy of moving in and out of a body. Like neutrinos, the elementary particles created by The Big Bang, which can move freely through the body and the universe because they have almost no density. Listen to more about Lea Porsager's work and practice in the podcast series ARKEN Stories here.